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Kafka's Last Trial: The Case of a Literary Legacy
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Review
“Fascinating and forensically scrupulous.†- John Banville, The Guardian“Dramatic and illuminating....raises momentous questions about nationality, religion, literature, and even the Holocaust.†- Adam Kirsch, The Atlantic“Thoughtful and provocative.†- Ruth Franklin, Wall Street Journal“A gifted cultural historian with a scholarly sensibility.†- Lev Mendes, New York Times Book Review“Absorbing....Balint elegantly intercuts courtroom scenes with episodes from Kafka’s biography and cultural afterlife. He brings out every paradox of a judicial process that tried to tie down this most ambivalent of authors, the ultimate 'disaffiliated pariah,' to a fixed identity....Balint’s scrupulous and sardonic prose makes you love Kafka, and dread the law.†- The Economist“A tale pitting two Goliaths against one octogenarian David, untangled in exacting, riveting detail....A must-read.†- Rebecca Schuman, Slate“Though Benjamin Balint’s masterful hunt for Kafka’s rightful ownership begins as a local dispute in an Israeli family court, it soon thickens into modernity’s most bitterly contentious cultural conundrum. Who should inherit Franz Kafka? The woman into whose hands his manuscripts fortuitously fell? Germany, the nation that murdered his sisters but claims his spirit? Israel, asserting a sovereign yet intimate ancestral right? Searing questions of language, of personal bequest, of friendship, of biographical evidence, of national pride, of justice, of deceit and betrayal, even of metaphysical allegiance, burn through Balint’s scrupulous trackings of Kafka’s final standing before the law.†- Cynthia Ozick, author of Foreign Bodies“Thrilling and profound, Kafka’s Last Trial shines new light not only on the greatest writer of the twentieth century and the fate of his work, but also on the larger question of who owns art or has a right to claim guardianship of it. Benjamin Balint combines the sharp eye of the courtroom journalist with the keen meditations of a literary and cultural thinker, and his research and lively intelligence deliver insights on every page.†- Nicole Krauss, author of Forest Dark“Kafka’s Last Trial is a fascinating inquiry into―and meditation on―the nature of artistic genius and the proprietary claims any one individual or country has on the legacy of that genius. Benjamin Balint is both a superb investigative journalist and a gifted cultural critic. This is that rarest of books: a scholarly work that is also compulsively readable.†- Daphne Merkin, author of This Close to Happy“Superb....Beautifully crafted, with just the right ratios of empirical-legal information, intellectual history, critical awareness of Kafka and his work, and wise reflection. It is obviously the product of admirably patient research and rare dedication to quality control.†- Stanley A. Corngold, Professor Emeritus of German and Comparative Literature, Princeton University
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About the Author
Benjamin Balint is a library fellow at the Van Leer Institute in Jerusalem. He has written for The Wall Street Journal, The Weekly Standard, and Die Zeit, and his translations from the Hebrew have appeared in The New Yorker.
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Product details
Hardcover: 288 pages
Publisher: W. W. Norton & Company; 1 edition (September 18, 2018)
Language: English
ISBN-10: 9781324001317
ISBN-13: 978-1324001317
ASIN: 1324001313
Product Dimensions:
6.7 x 1.1 x 9.6 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#277,067 in Books (See Top 100 in Books)
A beautifully written and researched book on the fate of Franz Kafka's literary papers.While Benjamin Balint, the author, capably leads the reader through the complicated legal proceedings that ultimately decided where the papers saved by Kafka's friend Max Brod would ultimately reside, the real value of the book is the thought provoking passages on why national libraries in Germany and Israel sought the papers; why Brod's secretary and daughters came into this picture; why there is dispute over the extent of Jewishness in Kafka's prose; why (or if) one country or another "owns" an international author; and much more.This book will win prizes.Readers searching for more on Kafka, himself, would benefit by buying and reading the three-volume biography written by Reiner Stach and translated into English by Shelly Frisch.
This is a great book. At its core, it is about the legal dispute over Kafka’s work but that is a small part of the book.The larger story is about Kafka and Max Brod’s lives and how societies try to claim cultural memory. It is a very though provoking tome on who “owns†what and why it matters.This is a fascinating read. I couldn’t put it down.
While this is ostensibly about the court case surrounding the ownership of the literary estate of Kafka and of Max Brod, his literary executor, it covers and examines a much broader canvass: the legal issues of who owns a literary heritage; the intellectual and emotional lives of both Franz Kafka and his friend Max Brod; why both Israel and Germany vied for Kafka's manuscripts; why Kafka never really caught on in Israel; Max Brod's life as an intellectual exile in Tel-Aviv, and more.The book is rich, very well written, very well constructed and excellently researched.A tour de fotce for any interested in Kafka and related issues, not least the whole Central European, German-speaking (largely Jewish) twentieth century intellectual milieu. Highly recommended.
Part courtroom drama, part literary history, part international intrigue this is a compelling book. Balint, whose previous work was an accomplished and engaging exploration of Commentary Magazine’s historical transformation, has here given us an insightful look at the complex relationship between Kafka and Max Brod. And the aftershocks of that relationship. What is the meaning of literary legacy? Who owns art? Does Germany have a claim on the works of a Jewish artist? Does Israel even if the artist was never a Zionist? Balint puts all these questions in play and does it with brio and spirt wrapped in courtroom drama. And I would be remiss not to mention the book is also wonderfully entertaining.
Among the many fascinating issues raised by Benjamin Balint in his latest book, I found the topic of what defines a Jewish writer to be most intriguing. Balint deals deftly with Kafka's (ambivalent) Jewish identity and the struggle by Germany and Israel to claim his legacy. Painstakingly researched and written in an engaging style, this is a must read.
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