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Selasa, 28 Januari 2014

Download Cujo: The Untold Story of My Life On and Off the Ice, by Kirstie McLellan Day

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Cujo: The Untold Story of My Life On and Off the Ice, by Kirstie McLellan Day

Cujo: The Untold Story of My Life On and Off the Ice, by Kirstie McLellan Day


Cujo: The Untold Story of My Life On and Off the Ice, by Kirstie McLellan Day


Download Cujo: The Untold Story of My Life On and Off the Ice, by Kirstie McLellan Day

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Cujo: The Untold Story of My Life On and Off the Ice, by Kirstie McLellan Day

Review

“An intriguing look at an interesting life . . . brimming with Joseph’s glass-half-full positivity.” (Toronto Star)“Staggering.” (The Athletic)“An incredible story about one legendary Leaf.” (Breakfast Television)“A fascinating story.” (Matt Galloway, CBC’s Metro Morning)“They don’t come much more resilient, athletic, and classy than Curtis Joseph . . .  a wry, moving account of his turbulent upbringing as an adopted child, his rise through the game’s ranks, and his most notable achievements in the planet’s best league.” (The Score)“Cujo lifts the lid on a harsh childhood and the odds he beat making it to hockey’s highest level.” (Global News)“I don’t know a lot about goaltending and the life they live, but I know one thing: Curtis Joseph was a team guy all the way! Enjoy his book. He is a good man.” (Wayne Gretzky)“Curtis is a Leaf legend. I always loved being around the Joseph family. Curtis was such a good role model for kids our age. The way he carried himself on and off the ice was something to admire. I definitely learned from him.” (Connor McDavid)“There is so much about Joseph’s story that makes his NHL career so unlikely.” (Peterborough Examiner)“A revelatory look at the goaltender’s life and career.” (Quill & Quire)

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From the Back Cover

The never-before-told story of the man behind the maskCurtis Joseph, known affectionately to hockey fans around the world as Cujo, was an unlikely NHL superstar. The boy from Sharon, Ontario, didn’t lace up a pair of skates until most kids his age were already far along in organized hockey, and he was passed over by every team in the NHL draft. Despite an improbable start, he would go on to play nineteen seasons with the St. Louis Blues, Edmonton Oilers, Toronto Maple Leafs, Detroit Red Wings, Phoenix Coyotes and Calgary Flames. He is ranked among the all-time greats: third in playoff shutouts, fifth in regular season wins and a winner of Olympic gold, a World Championship and a World Cup. And off the ice, he has always been giving, stepping up for kids and earning the King Clancy Memorial Trophy for his philanthropy work with sick children.But behind his big smile and kind heart, Curtis hid a painful past. He grew up essentially alone as a young boy in a home for mentally ill men, some of them dangerous. He had no idea who his real parents were. He didn’t even know his last name. Curtis made his own meals, borrowed clothing, found his own way to school and tried hockey only by chance, in borrowed, beat-up equipment.Despite his shocking and difficult upbringing, Curtis developed an inspiring philosophy of life, looking at the world as a glass half full. In this funny and revealing memoir, fans will finally get to know the man behind the mask. Written with bestselling author Kirstie McLellan Day, this book surprises and entertains as Curtis shares his untold stories of life on and off the ice.

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Product details

Hardcover: 352 pages

Publisher: HarperCollins Publishers (October 23, 2018)

Language: English

ISBN-10: 1443455962

ISBN-13: 978-1443455961

Product Dimensions:

6 x 1.2 x 9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

14 customer reviews

Amazon Best Sellers Rank:

#397,829 in Books (See Top 100 in Books)

I bought this on Amazon, then went to a Blues game and met the man himself during a signing event. Nicest guy in the world! The book was for my wife and instead of doing a photo-op with me (i'm not the huge hockey fan, she is), he let me record him giving her a personalized video saying hi to her and a few more words. Didn't hesitate, was more than happy to please the fans. The book is really good too and just makes you like the guy even more!

I have always loved watching Cujo play but I never knew what his life was like growing up. This was a very well written book. You could feel his pain and his triumphs.

I absolutely love this book. Curtis Joseph has always been one of my favorite NHL players. Love the vulnerability and honesty.

Husband is happy I got him this book.

A sports book well worth reading, especially the early years. You do not have to be a Leafs fan to appreciate this book. Curtis' style in describing his life experiences and his fellow athletes in a positive manner is uplifting in this day of pompous performers.

An incredible story of overcoming and working hard!

Great

Great book by Cujo.

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Minggu, 19 Januari 2014

PDF Download Janson's History of Art: The Western Tradition

PDF Download Janson's History of Art: The Western Tradition

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Janson's History of Art: The Western Tradition

Janson's History of Art: The Western Tradition


Janson's History of Art: The Western Tradition


PDF Download Janson's History of Art: The Western Tradition

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Janson's History of Art: The Western Tradition

About the Author

Penelope J. E. Davies holds a B.A. from Cambridge University and a Ph.D. from Yale University and  is currently Associate Professor at the University of Texas in Austin.  Her research focuses on public art and architecture and politics in ancient Rome.  She is author of Death and the Emperor:  Roman Imperial Funerary Monuments from Augustus to Marcus Aurelius (Cambridge University Press 2000 and University of Texas Press 2004, winner of the Vasari Award, as well as articles and essays on ancient Rome.   In her own words, why she joined the project:  “I joined this project hoping that the new edition would bear witness to a constantly evolving dialogue about art, in which formulating new questions is as important as finding new answers. The new edition also necessitates balancing an accepted canon of ‘great works’ with new additions to reflect changing definitions of art and artists, and to incorporate recent discoveries — a responsibility to be approached with caution. The project has proved challenging at every step, but tremendously invigorating and rewarding.”   Reviewer quote:"Professor Davies has managed to include and condense the basic developments of these ancient art traditions in clear, interesting and well-integrated prose. Throughout, she never fails to introduce the various theories and ideas about these works of art and indicate what we don’t know, as well as controversies ... The result is an authoritative, lively and challenging text that cannot fail to stimulate and challenge university undergraduate students and prepare them for subsequent chapters in this new book."  David Gordon Mitten, Harvard University     Walter B. Denny is a Professor of Art History at the University of Massachusetts at Amherst, and also currently serves as Consulting Curator for Islamic Art at the Smith College Museum of Art.  He received his B.A. from Oberlin College and his M.A. and Ph.D. from Harvard University.While his research interests concentrate mainly on the art and architecture of the Ottoman Turks, his teaching and consulting range from Museum Studies and Orientalism to serving as guest curator for a wide variety of museum exhibitions. In addition to exhibition catalogues, his publications include books on Ottoman Turkish carpets, textiles, and ceramics, and articles on miniature painting, architecture and architectural decoration.   In his own words, why he joined the project: “For me, introducing students to the history of art for the first time is the most exciting, the most worthwhile, and the most important task that any art historian can hope for. After thirty-five years of teaching, I welcome the chance to participate in a project where I am able to introduce a large student audience to the beauty, the breadth, the complexity, and the challenge of Islamic art. I hope that Islamic art, a mirror reflecting an important and often misunderstood culture and society, will provide students with a way to understand and appreciate the achievements and the aspirations of Islamic people today, as well as an understanding of their important and deeply-rooted historical accomplishments in the visual arts.”   Reviewer quote: "Walter Denny’s pan Islamic view of the material over time and space makes this updated Janson’s survey an enlightened pleasure."  Charles Little, Metropolitan Museum of Art     Frima Fox Hofrichter, Professor and Chair of the History of Art and Design department at Pratt Institute, received her Ph.D. at Rutgers University and wrote her doctoral dissertation on the seventeenth-century Dutch artist, Judith Leyster (supported by a Woodrow Wilson National Fellowship Foundation Award for Women’s Studies). The resulting book was later published as JUDITH LEYSTER, A DUTCH ARTIST IN HOLLAND’S GOLDEN AGE (Davaco, 1989) and granted CAA’s Millard Meiss Publication Fund Award. Her work in gender and social history continued with the notable exhibition, Haarlem, the Seventeenth Century (Zimmerli Art Museum, Rutgers) and Leonaert Bramer, 1596-1674, A Painter of the Night (Haggerty Museum, Milwaukee). Hofrichter has maintained her investigations of art and social history, weaving both together in publications examining aspects as diverse as astronomy and prostitution.   In her own words, why she joined the project: “I was honored when I was invited to participate in the Janson Project. It was an incredible compliment, yet an overwhelming responsibility at the same time. But more than this rush of emotions, it meant that I would have the opportunity to have Janson’s History of Art read more like I taught! There could be not only more women artists included, but also more images of women, more of a sense of the fabric of social history that set the stage for the art. Writing for Janson, contributing to this basic historical survey, meant that I would have the possibility to not just re-invent, but also re-invigorate, the canon for the next generation of art history students.”   Reviewer quote: "By their nature, survey texts tend to lag behind contemporary developments in the discipline, but Hofrichter has brought Janson’s text as close to the scholarly moment as is likely to be possible. In particular, I would signal her engagement with new methodologies, enhanced contextualization, up-to-date interpretation of individual pieces, and inclusion of thoughtfully chosen new works."  John Beldon Scott, University of Iowa     Joseph Jacobs is an independent art historian, writer, and critic living in New York City. He was the curator of modern art at the John and Mable Ringling Museum of Art in Sarasota, Florida, director of the Oklahoma City Art Museum, and curator of American art at The Newark Museum, Newark, New Jersey. His publications include SINCE THE HARLEM RENAISSANCE:  50 YEARS OF AFRICAN-AMERICAN ART, THIS IS NOT A PHOTOGRAPH:  TWENTY-FIVE YEARS OF LARGE-SCALE PHOTOGRAPHY, and A WORLD OF THEIR OWN: TWENTIETH-CENTURY AMERICAN FOLK ART.   In his own words, why he joined the project: “Life is about challenges, and for me as an art historian, writing a large portion of a major survey book on the history of art has to be one of the greatest challenges in the profession. My goal is to bring art history alive in a way that is rarely done in survey books. This means organizing the material in an especially meaningful and powerful fashion, in effect, creating a narrative thread that is both exciting and in its clarity educational.”   Reviewer quote: "This is a great leap forward for the Janson text ... This version is smart, clear, very carefully organized and extremely fluid and highly readable. I would say that apart from providing the basic historical information and offering excellent formal analysis-a foundation of the Janson text since Peter Janson’s original version–this new version is also steeped in material culture and social/cultural history. It is jargonfree:  thank you. It is politically sensitive without pandering; and it is always thorough."  Ken Silver, Institute of Fine Arts, New York University     Ann M. Roberts  holds a B.A. from the Johns Hopkins University and an M.A. and Ph.D. from the University of Pennsylvania.  An art historian specializing in the Renaissance, she has published essays articles, and reviews on both Northern and Italian Renaissance topics.  Her research focuses on women in the Renaissance.  She has taught at Illinois State University, the University of Iowa, and is currently Professor of Art at Lake Forest College.   In her own words, why she joined the project: “The discipline of art history has changed in the decades since Janson wrote his textbook. We are no longer so comfortable ...

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Product details

Hardcover: 1056 pages

Publisher: Prentice Hall; 7th edition (February 16, 2006)

Language: English

ISBN-10: 0131934554

ISBN-13: 978-0131934559

Product Dimensions:

9 x 2.2 x 11.9 inches

Shipping Weight: 8.2 pounds

Average Customer Review:

4.1 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#257,875 in Books (See Top 100 in Books)

I originally bought this book as a supplement to an art history class. I am now in my third art history class and still using this book. The book is well written and laid-out chronologically with introductions for each chapter that include some of the cultural background about the period in art history. There are lots of great pictures. A detailed index that helps you find information about artists, artworks, or art periods. There are interesting sidelines that add to the current topic, such as exerpts from letters artists wrote and techniques such as the lost-wax process. In addition, each chapter includes a timeline and a summary at the end.I would highly recommend this book to anyone who is looking for a supplement to an art history class or an interesting book on art in general.

The text is great, its easily the best art history textbook I've ever had BUT its also the biggest text book I've ever used in my life; also make sure to double check with your professor as to which edition she/he wants you to use, as the page numbers, figure numbers and article headings in the chapters vary between editions

This book is incredibly comprehensive and covers all aspects of art in different cultures, including painting, sculpture, architecture, and burial sites. It is remarkably detailed (almost too much so), and has many great pictures.The most distinctive aspect of this book is the primary sources it includes that explain the historical context of artworks. For example, there are numerous letters (translated, of course) from Italian artists in the Renaissance to their clients. Another text includes excerpts from the law code of Hammurabi, to accompany the sculptural piece on which it was originally engraved.

This book is terrific, even for non-students. It includes historical and artistic timelines, beautiful images, and accurate descriptions of examples of artwork for each historical period. Great coffee table book.

DETAILED AND VERY SELF EXPLANATORY BOOK FOR THE UNDERSTANDING OF THE EVOLUTION OF ART. THIS IS A MUST TO HAVE BOOK FOR BEGINNERS IN THE SUBJECT OF ART HISTORY. THE ONLY DOWN HILL OF THE BOOK IS THE TOO MUCH EMPHASIS IN RELIGIOUS ARTS. BUT OTHER THAN THAT, IT IS A VERY EDUCATIONAL TEXTBOOK TO READ.

item arrived on time it was OK

I wound up purchasing two of these for a class. The first one took too long I had to order another one. The second one arrived in good time. I sold the other book to a fellow student who was thrilled to get the book at such a low price. I used it for a series of three art classes. I still have the book and plan to keep it. Excellent value.

Late but good

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Selasa, 14 Januari 2014

Get Free Ebook Sebastião Salgado. Exodus

Get Free Ebook Sebastião Salgado. Exodus

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Sebastião Salgado. Exodus

Review

“In the freakish hyper-reality of 2016, where tragedy upon tragedy dominate news cycles, a collection like Exodus adds historical context to the global story of humanity on the move.”

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About the Author

Sebastiao Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma, and Magnum Photos. In 1994 he and his wife Lelia created Amazonas images, which exclusively handles his work. Salgado's photographic projects have been featured in many exhibitions as well as books, including Other Americas (1986), Sahel, L'Homme en detresse (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000), Africa (2007), and Genesis (2013).

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Product details

Hardcover: 432 pages

Publisher: TASCHEN; New edition (June 1, 2016)

Language: English

ISBN-10: 3836561301

ISBN-13: 978-3836561303

Product Dimensions:

10 x 1.7 x 13.2 inches

Shipping Weight: 7.9 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#440,237 in Books (See Top 100 in Books)

Excellent work of Sebastian Salgado. Through his wonderful photographs, it shows us how far we can get as human beings and our responsibility for our actions. The book is of excellent quality. The photographs are a testament to one of the best photographers of the twentieth century. No doubt this book can not miss in the library of every documentary photographer.- P.D. Sorry for my English.-

Outstanding photography. The subject matter is heart rending and the photography is superb. Get it!

Great price/deal. Book arrived in great condition.

Brilliant!Wonderfull photographs.

This is a reprint of the 2000 book Migrations. A beautiful book but if you already have Migrations there is no need to pick this up.

Fantastic ...Sebastiao Salgado is one of the best photographers in the world.

Excellent

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