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About the Author
Rosary O'Neill is a native New Orleanian living in New York City. She is Professor Emeritus of Drama and Speech at Loyola University of New Orleans, a recipient of five Fulbright Senior Specialist Program Fellowship awards, Senior Fulbright Drama Specialist and author of twenty-two plays. Rosary is a member of the Playwright Directors Workshop, Actors Studio and founder of the Southern Repertory Theatre in New Orleans, the State of Louisiana's only actor's equity theatre. Kim Marie Vaz is professor of education and the associate dean of the College of Arts and Sciences at Xavier University of Louisiana. She is the author of The "Baby Dolls": Breaking the Race and Gender Barriers of the New Orleans Mardi Gras Tradition. Her book served as the basis for a major installation on the Baby Doll tradition at the Presbytere unit of the Louisiana State Museum as part of the museum's permanent display on the history of Carnival in Louisiana.
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Product details
Paperback: 240 pages
Publisher: The History Press (February 11, 2014)
Language: English
ISBN-10: 1626191549
ISBN-13: 978-1626191549
Product Dimensions:
6 x 0.3 x 9 inches
Shipping Weight: 13.6 ounces (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
14 customer reviews
Amazon Best Sellers Rank:
#987,838 in Books (See Top 100 in Books)
I picked this up for research on a novel I'm working on. My wife and I had our honeymoon in New Orleans, years before Katrina, and so I've always been fascinated with the city--even though I'm not a resident. That said, I had NO idea about the extensive history of Maris Gras and the krewes behind it. What an incredible journey into an exclusive subculture the rest of the country (or world) likely has no idea about. For lovers of history, revelry and the Big Easy--check this out.From what I can see, no other author has been able to have such incredible access to these secret societies and she does a delicious job in lifting the veil. Well done!
If you're at all interested in the "behind the scenes" world of Mardi Gras, this is a, frankly, astounding book. I've read quite a bit about mardi gras, and I haven't yet found a book that is so well researched and presented. You get a history lesson about the socio-economic position of the rich and poor, presented in context of the political machinations of every generation for the past 150 years. As if that weren't enough information, she has spreadsheets that break down the average costs of everything from annual dry-cleaning and alterations of tuxedos and gowns, to the beads and throws for both Old-line and New Krewes. A special chapter focuses on African American Carnival. While the Gay Tableau societies are mentioned more than once, this may be one area where I might have liked to had more information. But on the whole, the book is a BIBLE for anyone who wants to learn more about Carnival, or, if you're like myself and you have a business that caters to the people in the Mardi Gras world.
I was under the impression this had a lot of illustrations and it does not.
As described!
Great job, Rosary!
The book layout is choppy and not well laid out. Sections seem disorganized and very short lacking the detail I was looking for. We have gone to Mardi Gras every year in New Orleans for 15 years, but neither my wife or I found this book interesting.
I could say many things, but I will just stick to the two main reasons this book is misguided about Mardi Gras and New Orleans in general 1. this book has A LOT of inaccuracies. Some of the information is just flat out wrong. Locations and spellings are wrong (Jesuit High School isn't Uptown and is never called "Jesuits") 2. Racist references about minorities - "Jesuits (in reference to high school even though that makes no sense) have few Jews, but both have large enrollments that include African American and lower class boys." What the hell? What the literal hell? Did someone proof read this story? All of the above ridiculousness is from ONE PAGE OF THIS BOOK. I assume that you can imagine how the rest of the book unfolds. This book needs to do better.
I once toured the warehouse where they keep all the Mardi Gras floats and props. As a mask-maker and popular culture historian, I was in heaven.New Orleans Carnival Krewes: The History, Spirit & Secrets of Mardi Gras, by Rosary O’Neill, reproduces that heaven. It’s a behind-the-scenes look at the culture that created Mardi Gras in New Orleans. This unreconstructed Yankee was amazed.I recommend this book to historians of popular culture. I also recommend it to anyone who has ever been to Mardi Gras, or just to New Orleans. I recommend it to actors, directors, and designers—these folks can put on a show!O’Neill, an historian and playwright, interviewed at least 50 people to gather the “secrets†she chronicles. (She also read a fascinating bibliography of books.) As a native of New Orleans, she understands its culture; as an historian, she analyzes the social structure of her native city. With a wealth of detail, she brings us through the history of the carnival krewes to an understanding of how they work today.“New Orleans attracted the rich and the dreamers,†says O’Neill—from French aristocrats to Spanish conquerors to American entrepreneurs (along with their indentured servants and slaves.) Each group created its own aristocracy, and as the cultures melded, so did their love of theatre, balls, and extravagant celebrations.But the book gets really interesting as O’Neill describes the “old-line†krewes, which are all about inherited power and prestige. I learned that krewes come and go; that they affect, and are affected by, changes in politics and culture; and that they are expensive.Member dues range from $600 to $2,900. New Orleans spends more on ball gowns than any other city in the world. A single costume can cost as much as $6,000; the ball after the parade costs over $120,000. Debutantes from important families receive “call-outs,†or invitations to dance. They are, of course, groomed for this event from childhood.Of course, things have changed over the years, especially after Hurricane Katrina. “Super-Krewes†parties are egalitarian bashes. Women and African Americans have created their own krewes. Debutantes now become career women. But the parties continue.Judith Pratt is a playwright, director, and theatre historian.
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