Free PDF The Rabbi's Cat (Pantheon Graphic Novels), by Joann Sfar
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The Rabbi's Cat (Pantheon Graphic Novels), by Joann Sfar
Free PDF The Rabbi's Cat (Pantheon Graphic Novels), by Joann Sfar
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Review
“He draws faster than his shadow. He comes up with new stories as if he were drinking a glass of water. He talks more than anyone I’ve ever known. He’s extremely talented, extremely funny, extremely smart. I guess this is the description of a genius. And I don’t say such things because he’s my friend. Joann Sfar is not a rabbi, but he describes better than anyone the religious dilemma with tenderness, intelligence, and humor. The Rabbi’s Cat is a book that everybody should read.” –Marjane Satrapi, author of Persepolis“[The Rabbi’s Cat] is rich in historic and cultural detail and filled with great stories.” –The Washington Post“As fanciful as Mark Haddon’s The Curious Incident of the Dog in the Night-Time, a whole lot shorter than The Amazing Adventures of Kavalier & Clay, and a good deal more Jewish than Marjane Satrapi’s Persepolis, Joann Sfar’s graphic novel is hilarious, poignant, and wise. And now that I’m done reading it for the first time, I’m going to read it again.” –Adam Langer, author of Crossing California“An affecting, fraught, and–yes–sometimes hilarious tour de force about the complexities of living faithfully in a godless world.” –The Boston Globe“In The Rabbi’s Cat, Joann Sfar’s words and pictures mingle in a dance both sacred and skeptical, perfectly graceful and clumsily human. I loved this book and I’m so grateful Sfar’s brilliance has finally been brought to America. He is one of the brightest cartoonists in the world!” –Craig Thompson, author of Blankets
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About the Author
Considered one of the brightest and most talented of the younger generation of French comics artists, Joann Sfar has written or collaborated on more than one hundred books for adults and children. He has worked with some of the best young artists in France, including Christophe Blain, Emmanuel Guibert, and Lewis Trondheim. In the United States he’s best known for his children’s books, Little Vampire Goes to School, which made The New York Times best-seller list, and Little Vampire Does Kung Fu!, which was nominated for an Eisner Award. Sfar was awarded the prestigious Jury Prize at Angoulême for The Rabbi’s Cat. He lives in Paris with his wife, two children, and the model for the rabbi’s cat. Please visit his Web site at www.pastis.org/Joann.
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Product details
Series: Pantheon Graphic Novels
Paperback: 152 pages
Publisher: Pantheon; Reprint edition (May 22, 2007)
Language: English
ISBN-10: 0375714642
ISBN-13: 978-0375714641
Product Dimensions:
7.9 x 0.4 x 10.2 inches
Shipping Weight: 1.2 pounds
Average Customer Review:
4.5 out of 5 stars
86 customer reviews
Amazon Best Sellers Rank:
#601,111 in Books (See Top 100 in Books)
This applies to both Vol 1 and Vol 2 of The Rabbi's Cat. I rented to animated movie version and my wife and I both fell in love with it. Sfar's artwork is both original and also a bit on the wacky side, which really appeals to me. Anyway, I Googled the guy after watching the movie and found that he had several books. So, being a collector of graphic novels (especially off-beat ones) I promptly ordered both volumes from Amazon. The characters are just so vivid and illustrations are sensational. I especially love the way he draws the cat (me also being a cat-person). It's so slinky it's almost half snake, and boy is it clever. My only problem with these books is that there's so much dialogue that the print is almost microscopic in places and I actually need to use a magnifying glass to read some of it, which is the only reason I gave it four stars instead of five. I should also add that the story and settings are so vivid and touching. It really gave me a sense of a culture and place that have pretty much vanished forever. If you have any interest in the Algerian Jewish community pre WW II, rent the movie first, and if you want more stories about these characters get the books. Just be prepared for a little eye strain.
I absolutely love the rabbi's cat and his snarky comments on life. In this book life goes on. He goes on a adventure with his master's cousin, Malka,and meets a snake who offers his bite as a gift and release from the miseries of life. Then he travels with his master, another cousin who is an Arab, a Russian painter who escaped the pogroms of Russia by hiding himself in a crate of holy books shipped to Algeria, and a crazy, rich Russian who desn't belive in anything but drink and sex. They are off on an expedition to find the Falasha who live in a hidden city in Ethiopia called Jerusalem. The cat must learn to keep his mouth shut in sticky situaions or he could get everyone killed as sorcerers. Peoples in the African deserts can be superstitious and dangerous. True love intervenes, there is a singing donkey and gigantic black jews with absolutely no sense of humor. Another wonderful book about tthe rabbi's cat.
Beautiful drawings, gorgeous colors, very funny situations, intriguing conversations between the crazy cast of characters, particularly the animals--and all so very human. Discussions and disagreements about human nature, God, and religion take place in Paris, Tunisia and Africa in the early 1900s. I read the first one not realizing it was two-parter, and couldn't wait to get hold of #2. Very fun, delightful, beautiful interplays between humans and animals, humans and humans, and animals and animals. It made me laugh out loud and made me think--and now I want a lying cat that talks!
As a Jewish American, I've always been fascinated by the experiences our people in the Diaspora. The lives of American, British, French, and Algerian Jews are all different. We can be found in the unlikeliest of places; Cuba, Mexico City, Rio, Mumbai, Dublin (I'm not joking, there are Jews in Ireland).I once boarded with a Jewish family in Strasbourg. Their lives were much different from those of New York Jews; they kept a lower profile, avoided gentiles, and their eating habits were more like those of their neighbors (no bagels, herring, or kugel on their table). British Jews, respectively, make a greater effort to appear "English" while avoiding non-Jews. You won't see cockneys eating in Jewish delis (not that I saw any Jewish delis in London aside from Bloom's).The Rabbi's Cat has a very quirky story that's not easy to summarize. A scrawny cat gains the power of speech and engages his master, a Rabbi, in debates. The Rabbis gorgeous daughter, having no interest in philosophy (and having no work to do) loves this cat as if he were an irritating younger sibling.Zlabya is your typical Arabian-Nights-Fantasy though she happens to be Jewish. She marries a French Jew of Turkish origin, and some funny conflicts arise; he bores her, she feels self-conscious of her background, and her father isn't sure why the French Jews lack vitality. Or is he just too... full of life?I'm glad that graphic-novel fans will learn about the Jews of France thanks to this book. The Jews have been an important part of French society for years, but with the way things are going now, it may not last. Jews have been leaving France in greater number since 2001, and I hope they don't all leave for Israel, UK, or the USA. It would be a shame for France to lose such a great part of its culture.
This is a very entertaining tale of a clever cyncial rabbi's cat on the surface. However, the tale goes much further than exploring the cat's desire to anthropomorphise. It deals with father-daughter relationships, love, obedience, the stiffling influence of tradition, clashes between cultures, etc. It is uniquely influenced by Jewish theological exegesis and rabbinical commentary. Moreso than Will Eisner's work which was a landmark in this area (also on Amazon).I liked the artwork in the main. Panels are loosely framed on the pages which gives a light flow to the narrative. Colours are strong and mediterranean when needs be. I have two reservations however. Firstly, some of the pieces are overdrawn. Too much unnecessary detail in a scene. Text in the speech bubbles is squeezed at times and as a middle aged person with spectacles I found it hard to read on occasion. My reading wuld have been easier if overall frame size was bigger. Secondly, and this is my major reservation, the whole tale is told primarily through language used by the characters rather than through the characters actions. In other words as a graphic novel, I thought it was too wordy. You may well observe, that it is ironic that a graphic novel based around the culture of the 'people of the Book' repeats the textual propensity of much Jewish self-commentary. Eisner, to my mind, has the text-visual balance better defined. However, these are personal aesthetic opinions and shouldn't detract from the overall conceptual achievement which is exemplary.
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